Branding bill: The shakespearean commons

dc.contributor.author Nayar, Pramod K.
dc.date.accessioned 2022-03-27T01:51:33Z
dc.date.available 2022-03-27T01:51:33Z
dc.date.issued 2015-03-21
dc.description.abstract Situating William Shakespeare within the study of brands, this article examines the process and results of Shakespeare-as-brand, which mediates the supply and demand of Shakespearean products whether about his life, his loves, his texts, his editors, and his readers or consumers. Shakespeare as a commons continues to gather cultural capital because of the iterability of the brand in mass/popular forms and media that now possess the maximum cultural legibility (like the graphic novel or Hollywood romance). This is possible even more in the digital age because the Shakespearean page, stage, and image are all available simultaneously on a screen, making Shakespeare an interactive, global archive.
dc.identifier.citation Economic and Political Weekly. v.50(12)
dc.identifier.issn 00129976
dc.identifier.uri https://dspace.uohyd.ac.in/handle/1/4239
dc.title Branding bill: The shakespearean commons
dc.type Journal. Short Survey
dspace.entity.type
Files
License bundle
Now showing 1 - 1 of 1
No Thumbnail Available
Name:
license.txt
Size:
1.71 KB
Format:
Plain Text
Description: